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In this new instalment of Letters from the Studio, I open the door to the beginnings of my portrait of Sol Gabetta, a work that listens before it speaks. The first layer meets the canvas through music: the arc of movement, the breath between phrases, the subtle pauses that reveal the life within the performer.
Rooted in four hundred years of artistic lineage, this painting grows from a way of seeing shaped by time, silence, and careful observation. Here, the aim is not likeness alone, but the interior world that precedes it, the emotion before the note, the recognition before the gesture.
I share why every composition is drawn by hand, how sketches give form to fleeting expressions, and how the music itself becomes a collaborator in the process. The episode also touches on Mastering Light & Shadow™, a course created for artists seeking to overcome flatness and reconnect with the discipline of seeing.