“Today, 1 September 2024, is my fiftieth birthday , and I turn my head to gaze at Karin Merx’s powerfully poignant portrait of my late-husband Mark Chelvan-Stanmore (6/10/63 to 13/3/24) and myself knowing all those who have viewed “Eternal Love” share words of joy, radiating a warmth reflecting our visible and loving 22-year life journey as soulmates, intertwined as life-long partners from their first dance in Heaven in 2001,to the two hearts Mark WhatsApp’d to Chelvan in March 2024, a few minutes before he went off-line.
Karin Merx, 2024, Oil on Gallery Stretched Linen, 60 x 80 cm, S. Chelvan
Karin having known me since our involvement in UK Black Pride in 2019, was very aware of the visual activist characteristic of the Refugee LGBTQ+ Barrister (Advocat) built a knowledge of the texture of Mark’s character, and literally got under age over his skin to such a level I can raise my hand to the painting and gently cusp his portrait face to mine – truly a trait of a portrait artist found in a small number of artists. Over the months covering composition of the portrait engaged with each brushstroke magically captures the beauty , kindness and laughter enveloping us as two lovers, best friends and soulmates. Originally planned as part of a “Love is Love” gallery exhibition with Mark’s knowledge and full consent, the piece took on its own purpose to capture the immortality of the love between us, a temporal passage symbolised in the peacock feather in Hinduism, defying repeated in the spectrum of colours with deep purples, crimsons, the background blue and the green frame around the canvas.
Now hanging in our bedroom over our bed, Karin’s portrait captures an emotional precipice few artists are able to reach, whilst Love is Love, Karin Merx renders as if it were a historical testament that Our Love Is Eternal, surrounding and loving, the “Eternal Love”.
-Dr S Chelvan, Barrister, England and Wales